A literal novel use for the ubiquitous mobile:
NZ Herald , pge B4 Fri Sept 28,
Tom Leonard, a New York writer, has an article on the writing of novels on the screen of a cell phone.
Tracking the story, an earlier form of the story in the Wall Street Journal identifies that in
Japan novelists find a novel way of writing stories
Of the 10 Japanese bestsellers in 2007, half apparently started life as keitai novels.
A mobile phone novel website, Maho i-land, started 7 yrs ago and now lists a million novels. In Japan, more than 3 million text based novels were sold in the first half of the year, literally outstripping pulp (tree based) fiction!
The prose seems to have accommodated the medium, its described as heavier in dialogue, and has less descriptive build up of scene or of characters: and has short paragraphs.
I think its probable that the writers and readers as well as the screen size have influence. A network of actors at play/work.
Still, the medium is the message- working with this medium involves being contained by the small screen. Construction accommodates the constraints: the work arounds involve fitting the (small)screen. Thinking becomes blank areas, spoken speech takes as few words as possible to get meaning across... some critiques of the genre suggest this is similar to comic culture...
It might also be that the writers having a preference for particular types of literature, manga being a cited example.
differ from their anime counterparts in both visual design and characterization. The manga has more "ecchi" and whimsy, but certain aspects of the plot are darker.
k, maybe the panties were too dark an example, but its a snapshot of the genre.
A preference for dialogue over scenery or character depth is portrayed, whether its readers and writer preference or cell screen sized influence.
I can't see the thesis being written on a cell phone...however
is huge. (I do not need to worry about my teenage daughters reading or writing, it just looks different when it involves fanfiction, the books are less visible).
It would be easy to say, but its just a tool, the reading and writing still happen. But it is more than a tool, this tool has extra 'special effects'. The reader chooses whether or not be a passive audience, whether or not to be an isolated one. While still awaiting the favourite authors next installment, , these readers are writing the next alternate installment, prequel or sequel! And actively contribute to shaping each others work by providing each other feedback on their writing.
So audience, you have your topic....
The thesis: how mediums used for counseling are both shaped and shaping.
The study: to be informed by Actor network theory.
What comes next?????
Image obtained from
Rah_manga_panties.jpg (300 × 299 pixels, file size: 53 KB, MIME type: image/jpeg)
Source: Momose Takeaki; Izubuchi Yutaka (2004). Kit Fox. ed. RahXephon Vol. 1. trans. Joe Yamazaki. San Francisco, CA: VIZ Media. ISBN 1591164079.
Website reproduction: http://www.viz.com/onlinemanga/om.php?chap=rax-hi-chapter-1
Original manga ©2001 Yutaka Izubuchi / Takeaki Momose / Shogakukan
Translated text ©2004 Viz Media (Viz LLC)